Southern African

The browser contains 10 records per page. Use the pager at the bottom of the table to navigate to additional pages
For more information about each record click the Title link in the table below
Alternatively all "blue" words below are links to records which have been so tagged

Title Audio Collection Description Composersort icon Date All terms
"Mzeno" | Southern African

You are missing some Flash content that should appear here! Perhaps your browser cannot display it, or maybe it did not initialize correctly.

ILAM

Movement from the Ngodo xylophone orchestral dance of Regulo Nyankowongo with fourteen xylophones, two rattles and one horn.

Regulo Nyankowango is considered to be one of the minor chiefs under Regulo Mikumbi of the Inharrime District. Living as they do to the east of the central Chopi, their dialect is distinctive and influenced by the G'Tonga of the Inhambane District.
Further details refer ILAM field card (H1K4)

1955-10-01 Chopi | Chopi | Dance music | Hafu Kumbani | Horn | ILAM | Inharrime District | Mozambique | Ngodo | Orchestra | Portuguese East Africa | Rattle | Southern African | Timbila | Tonga | Xylophone
"Chiriri" | Southern African

You are missing some Flash content that should appear here! Perhaps your browser cannot display it, or maybe it did not initialize correctly.

ILAM

Movement from the Ngodo xylophone orchestral dance of Regulo Nyankowongo with fourteen xylophones, two rattles and one horn.

Regulo Nyankowango is considered to be one of the minor chiefs under Regulo Mikumbi of the Inharrime District. Living as they do to the east of the central Chopi, their dialect is distinctive and influenced by the G'Tonga of the Inhambane District.

Further details refer ILAM field card (H1K5)

1955-10-01 Chopi | Chopi | Dance music | Hafu Kumbani | Horn | ILAM | Inharrime | Mozambique | Ngodo | Orchestra | Portuguese East Africa | Rattle | Southern African | Timbila | Tonga | Xylophone
Pongolo | Southern African

You are missing some Flash content that should appear here! Perhaps your browser cannot display it, or maybe it did not initialize correctly.

ILAM

Movement from the Ngodo xylophone orchestral dance of Regulo Nyankowongo with fourteen xylophones, two rattles and one horn.

Regulo Nyankowango is considered to be one of the minor chiefs under Regulo Mikumbi of the Inharrime District. Living as they do to the east of the central Chopi, their dialect is distinctive and influenced by the G'Tonga of the Inhambane District.
Further details refer ILAM field card (H1K6)

1955-10-01 Chopi | Chopi | Dance music | Hafu Kumbani | Horn | ILAM | Inharrime District | Mozambique | Ngodo | Orchestra | Portuguese East Africa | Rattle | Southern African | Timbila | Tonga | Xylophone
Muchongolo (Part I) | Southern African

You are missing some Flash content that should appear here! Perhaps your browser cannot display it, or maybe it did not initialize correctly.

ILAM

Dance music for Muchongolo Tumbling dance with 3 drums and clappers. Recorded at C.M.R. Mine, Transvaal, South Africa. The tumbling dance which has been developed by the Ndau people has not only spread south to neighbouring tribes, but has now become a favourite spectacle on the gold mines of South Africa, where its performance delights the miners of other tribes as well. It is usually acrobatic and humorous, and is performed to complex rhythms on the drums.
The performance of the dancers is frequently of a high order demanding considerable gymnastic ability. Details from ILAM field card (H1F-4A - B)

1955-11-06 Clapper | Dance music | Danda | Drum | Folk music | ILAM | Indigenous music | Mozambique | Mpanda | Mpege district | Ndau | Ndau | Pedro Simau Balani | Portuguese East Africa | Southern African
Muchongolo (Part II) | Southern African

You are missing some Flash content that should appear here! Perhaps your browser cannot display it, or maybe it did not initialize correctly.

ILAM

Dance music for Muchongolo Tumbling dance with 3 drums and clappers. Recorded at C.M.R. Mine, Transvaal, South Africa. The tumbling dance which has been developed by the Ndau people has not only spread south to neighbouring tribes, but has now become a favourite spectacle on the gold mines of South Africa, where its performance delights the miners of other tribes as well. It is usually acrobatic and humorous, and is performed to complex rhythms on the drums.
The performance of the dancers is frequently of a high order demanding considerable gymnastic ability. Details from ILAM field card (H1F-4A - B)

1955-11-06 Clappe | Dance music | Danda | Drum | Folk music | ILAM | Indigenous music | Mozambique | Mpanda | Mpege district | Muchongolo | Ndau | Ndau | Pedro Simau Balani | Portuguese East Africa | Southern African | Tumbling
Ambia - "Mother-in-law" | Southern African

You are missing some Flash content that should appear here! Perhaps your browser cannot display it, or maybe it did not initialize correctly.

ILAM

Self delectative song with mbira dza WaNdau. The performer is one of the few Tonga people who have learnt to play the Ndau instrument, the mbira dza WaNdau, which has travelled southwards since the time of the Shangaan chief Ngungunyana for whom the Ndau fought as a subservient tribe during the latter half of the nineteenth century. Several of the fighting men stayed in the south and married Tsonga women and their children have used the paternal instrument, singing to it traditional songs.Further details refer ILAM field card no. H1R-8.

1955-10-11 Bileni district | Fabiao Dingani Mashawa | Hlanganu | ILAM | Mbira | Mozambique | Portuguese East Africa | Southern African | Sul do Save Province | Tonga
Godwa aswibasanga | Southern African

You are missing some Flash content that should appear here! Perhaps your browser cannot display it, or maybe it did not initialize correctly.

ILAM

Topical song with guitar. "If you have no child it is no good. Other women have children, they fill the village. There are many men here standing in the queues for going to Johannesburg. You, my wife, you do not want to eat porridge - you want rice. There is no rice here, because I am poor. Go to the rich where they can afford rice."
So she went to a rich man to get her rice, but now she gets no clothes, no shoes, and at last, no food.
Details from ILAM record number TP4274-H1P14

1955-08-10 Chibuto district | Gomez o Feliciano, Muntano | Guitar | Hlanganu | ILAM | Indigenous music | Mozambique | Portuguese East Africa | Southern African | Sul do Save Province | Tonga | Topical song
Syndicate content