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For more information about each record click the Title link in the table below
Alternatively all "blue" words below are links to records which have been so tagged
| Title | Audio | Collection | Description |
Composer |
Date | All terms |
|---|---|---|---|---|---|---|
| Tang'oroki neirut olodwa airora | East African |
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ILAM |
An Osingolio Longishu cattle song. "The Germans are nothing to us. They were defeated by the English. We are not sleeping and will fight for our country. We love our country and our cattle." The Arusha tribe fought on several occasions against the Germans during their early occupation of Tanganyika. Different men take over the solo between the chorus refrains. |
1950-10-02 | Arusha | Arusha Baraza | Arusha District | East African | Folk music | ILAM | Masai | Medurek,Baiyani | Tanganyika | Tanzania | |
| Zumani mwaya | East African |
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ILAM |
A Msego mourning dance song with Kayamba raft rattles, a gourd horn and whistling. This Msego dance started with the sound of the horn, followed by the leader of the group who sings the first verse. This is repeated by the dancers whistling the melody twice over after which the dance proper begins with rattles. Details from ILAM field card D7N - 7 & 8 |
1950-00-00 | Chandaruwa Waya | East African | Folk music | Ginyama | Giryama | Gourd horn | ILAM | Indigenous music | Kayamba raft rattle | Kenya | Malindi district | Nika | Whistling | |
| Ndakapiga sinu kulwitu | East African |
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ILAM |
A Msego mourning dance song with Kayamba raft rattles, a gourd horn and whistling. "Keep yourself ready". This Msego dance started with the sound of the horn, followed by the leader of the group who sings the first verse. This is repeated by the dancers whistling the melody twice over after which the dance proper begins with rattles. Details from ILAM field card D7N - 7 & 8 |
1950-10-13 | Chandarwa Waya | East African | Folk music | Giryama | Giryama | Gourd horn | ILAM | Indigenous music | Kayamba raft rattle | Kenya | Nika | |
| Mucungwa | East African |
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ILAM |
A very simple dance song, sung in unison. |
1950-09-23 | Dance song | East African | Folk music | Forest Hall district | ILAM | Indigenous music | Kenya | Kikuyu | Kikuyu | Wairimu,Tabitha | |
| Mwomboko | East African |
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ILAM |
A topical song with accordian and struck iron. The accordian is used as a ground which creates a happy noise but has little, if any, melodic or harmonic relationship to the tonality or mode of the voice. |
1952-05-24 | Accordion | Chinda Kamwana | East African | Folk music | ILAM | Indigenous music | Kenya | Kiamuthambi | Kikuyu | Kikuyu territory | Struck iron | Topical song | |
| Kolasi | East African |
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ILAM |
A topical song with accordian and struck iron. The accordian is used as a ground which creates a happy noise but has little, if any, melodic or harmonic relationship to the tonality or mode of the voice."The father of the girl I want to marry came to Mombasea leaving his daughter at home - so I came to Mombasa too and said to him 'Now how about it - I want to discuss the marriage arrangements'." |
1952-05-24 | Accordion | Chinda Kamwana | East African | Folk music | ILAM | Indigenous music | Kenya | Kiamuthambi | Kikuyu | Kikuyu territory | Struck iron | Topical song | |
| Dongo Mothi | East African |
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ILAM |
A Mamboko dance song with accordian and struck iron. The "struck iron" was an old starter ring from the flywheel of a car. It is necessary to have a circular or 'S' shaped piece of metal for convenient playing of the double beat. The performer called it 'Kengere' or 'Beru' bell. |
1952-06-08 | Accordion | Dance song | East African | Embu | Folk music | ILAM | Indigenous music | Johnnie Murethe Wambu | Kenya | Kibunga Waita | Kikuyu | Mwamboko dance song | near Mount Kenya | Struck iron | |
| Koras (Chorus) | East African |
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ILAM |
A Mamboko dance song with accordian and struck iron. The "struck iron" was an old starter ring from the flywheel of a car. It is necessary to have a circular or 'S' shaped piece of metal for convenient playing of the double beat. The performer called it 'Kengere' or 'Beru' bell. |
1952-06-08 | Accordion | Dance song | East African | Embu | Folk music | ILAM | Indigenous music | Johnnie Murethe Wambu | Kengere struck iron | Kenya | Kibunga Waita | Kikuyu | Mwamboko dance | Struck iron | |
| Muchongolo (Part I) | Southern African |
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ILAM |
Dance music for Muchongolo Tumbling dance with 3 drums and clappers. Recorded at C.M.R. Mine, Transvaal, South Africa. The tumbling dance which has been developed by the Ndau people has not only spread south to neighbouring tribes, but has now become a favourite spectacle on the gold mines of South Africa, where its performance delights the miners of other tribes as well. It is usually acrobatic and humorous, and is performed to complex rhythms on the drums. |
1955-11-06 | Clapper | Dance music | Danda | Drum | Folk music | ILAM | Indigenous music | Mozambique | Mpanda | Mpege district | Ndau | Ndau | Pedro Simau Balani | Portuguese East Africa | Southern African | |
| Muchongolo (Part II) | Southern African |
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ILAM |
Dance music for Muchongolo Tumbling dance with 3 drums and clappers. Recorded at C.M.R. Mine, Transvaal, South Africa. The tumbling dance which has been developed by the Ndau people has not only spread south to neighbouring tribes, but has now become a favourite spectacle on the gold mines of South Africa, where its performance delights the miners of other tribes as well. It is usually acrobatic and humorous, and is performed to complex rhythms on the drums. |
1955-11-06 | Clappe | Dance music | Danda | Drum | Folk music | ILAM | Indigenous music | Mozambique | Mpanda | Mpege district | Muchongolo | Ndau | Ndau | Pedro Simau Balani | Portuguese East Africa | Southern African | Tumbling |