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For more information about each record click the Title link in the table below
Alternatively all "blue" words below are links to records which have been so tagged
| Title | Audio | Collection | Description | Composer | Date | All terms |
|---|---|---|---|---|---|---|
| Eremye | Central African |
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ILAM |
Topical song about a leper who is lamenting his demise and loneliness. Further details refer ILAM field card number D5Y15 |
S Mondo |
1950-09-02 | Central African | Folk music | ILAM | Indigenous music | Lament | Leprosy | Mondo,S. | mourning | Nasuti Social Club | Ntongoli eight string lyre | Soga | Song | topical | Traditional music | Uganda |
| Eremye | Central African |
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ILAM |
Topical song accompanied by the Ntongoli eight string lyre. Further details refer ILAM field card number D5Y15 |
S Mondo |
1950-09-02 | Central African | Disease | East African | Folk music | ILAM | Indigenous music | Leprosy | Mondo,S. | Mournful | Nasuti Social Club | Ntongoli eight string lyre | Soga | Song | topical | Traditional music | Uganda |
| Ewaro yaitu eya Bunyoro | Central African |
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ILAM |
Propaganda song accompanied by various string instruments. Further details refer ILAM field card number D5I1 |
Matia Kaberuka |
1950-08-17 | banjo | Central African | Guitar | ILAM | Indigenous music | Mandoline | Matia Kaberuka | Nkole | Nyoro | propaganda | Song | Traditional music | Uganda | Western Province Demonstration Team |
| Ewaro yaitu eya Bunyoro | Central African |
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ILAM |
Propaganda song accompanied by various string instruments. Same as CR0144-XYZ5295. Further details refer ILAM field card number D5I1 |
Matia Kaberuka |
1950-08-17 | banjo | Central African | Guitar | ILAM | Indigenous music | Mandoline | Matia Kaberuka | Nkole | Nyoro | propaganda | Song | Traditional music | Uganda | Western Province Demonstration Team |
| Fete fo so | Caribbean |
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ILAM |
Calypso dance performed on various instruments.Further details refer ILAM shellac record (commercial recordings) number: CR1006 |
Randolph Simmons |
1900-01-00 | Calypso | Caribbean | Creole | dance | ILAM | Instrumental | Iron bell | Popular music | Randolph Simmons | Steel pans | The Casablanca Steel Orchestra | Traditional music | Trinidad |
| Gumboot dance | |
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ILAM |
Dance with 6 routines. Further details refer ILAM field card (BB13) |
Four dancers (Performer) |
1948-07-26 | Dance music | Guitar | ILAM | KwaZulu-Natal | Madiba,J. | Natal | South Africa | Southern African | Traditional music | Zulu |
| Ha u oa ra sala | Southern African |
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ILAM |
Song accompanied by the piano |
Aliwal North Sesotho Choir (Performer) |
1950-00-00 | Aliwal North Sesotho Choir | Choir | ILAM | men and women | Part-singing | Piano | Popular music | Secular music | Sotho | South Africa | Southern African | Traditional music |
| Ham from customs | Caribbean |
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ILAM |
Calypso dance performed on steel pans.Further details refer ILAM shellac record (commercial recordings) number: CR1002 |
Alric Farrell |
1900-01-00 | Calypso | Caribbean | Creole | dance | Farrell,Alric | ILAM | Instrumental | Merry Makers Steel Orchestra | Popular music | Steel pans | Traditional music | Trinidad |
| Haminatsowe | Southern African |
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ILAM |
Traditional song performed by a man and women. They are accompanied by a string instrument identified as a Shangaan harp. The harp is possibly an Autoharp |
John Khoza |
1960-00-00 | Choir | Cyclical | Folk music | ILAM | Indigenous music | John Khosa | Man calling and women respond | Repetition | Shangaan | Song | South Africa | Southern African | Traditional music | women |
| Hure Gaza | Southern African |
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ILAM |
Traditional song performed by a man and women. They are accompanied by a string instrument identified as a Shangaan harp. The harp is possibly an Autoharp |
John Khoza |
1960-00-00 | Autoharp | Choir | Chordophone | Folk music | ILAM | Indigenous music | John Khosa | Man calling and women respond | Repetition | Shangaan | Shangaan harp | South Africa | Southern African | String | Traditional music | women |