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Alternatively all "blue" words below are links to records which have been so tagged
| Title | Audio | Collection | Description | Composer | Date | All terms |
|---|---|---|---|---|---|---|
| Abologo balnanira Daudi | |
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ILAM |
Folk Song. Further details refer ILAM record field number XYZ5407 |
Kuruseni (Performer) |
1950-00-00 | Budongo Likembe | Central African | East African | Folk song | ILAM | Indigenous music | Kuruseni | Mbira | Nsaasi Tin Rattle | Soga | Soga | Uganda |
| Abologo balnanira Daudi | |
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ILAM |
Folk Song. Further details refer ILAM record field number XYZ5406 |
Kuruseni (Performer) |
1950-00-00 | Budongo Likembe | Central African | East African | Folk song | ILAM | Indigenous music | Kuruseni | Mbira | Nsaasi Tin Rattle | Soga | Soga | Uganda |
| AC0249-D5J6 | |
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ILAM |
Short account of the English bringing peace to Ankole. |
Ekigano ky'obusingye |
1950-08-18 | Ankole | Central African | Ekigano ky'obusingye | Erisa Kasise | ILAM | Nkole | Nyoro | story | Uganda |
| Adedeu Harp | Central African |
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ILAM |
Translation: Visit over the border. Further details refer ILAM record number (1334) |
1900-00-00 | Central African | Harp | ILAM | Uganda | |
| Adoliong'o akwapa k'omudeke ina minami | East African |
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ILAM |
Topical song with clapping and five string Adedu horizontal harp, leg rattles and 1 side blown Aluti horn. The tuning of the harp was 284, 212, 190, 172, 142 v.s. It is interesting to note the difference between the scale of the harp and the voice. Iganitiyo, the harp player, made friends with Chief K Omudeka and he visited him at his place over the border in Kenya. He was surprised at the great amount of land which was under cultivation there. He entertained the Chief every evening of his visit by playing and singing to his Adedu harp. The full song is not available here. |
Iganitiyo Ekacholi |
1950-09-04 | Adedeu harp | Aluti horn | Folk - East African | Iganitiyo Ekacholi | ILAM | Lukiko | Mbale district | Teso | Tororo | Uganda |
| Ai abei eong | Central African |
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ILAM |
Topical song with Auleru, vertical flute, open, four notes. A clever use of the lower and upper octaves in the pipe. The lower follows the higher. The player blows across the square end of the open pipe. |
1950-00-00 | Auleru flute | Central African | Emugat | Folk music | ILAM | Lukiko | Mbale district | Teso | Tororo | Uganda | Yowana | |
| Akasozi Bamunanika | |
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ILAM |
Further details refer ILAM field card number: F3M 6 |
Abadongo Abaganda (Performer) |
1952-06-19 | Abadongo Abaganda | Drum | East African | Endongo lyre | Ganda | ILAM | Indigenous music | Kampala | Kasasa,J. | Ndingidi Lute | Topical song | Uganda |
| Akasozi bamunanika | Central African |
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ILAM |
Praise song accompanied by various instruments. Further details refer ILAM field card number D5V8 |
Zakaria Kasasa |
1950-08-31 | Central African | eight string bowl lyre | Endongo | Endongo za Buganda | Folk music | Ganda | ILAM | Indigenous music | Laced conical drum | Ndingidi | Ntenga | one string lute | praise | Song | Traditional music | Uganda | Zakaria Kasara |
| Akasozi Mwiri | |
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ILAM |
Further details refer ILAM field card number: F3P 1 |
Boys of Busoga College (Performer) |
1952-06-23 | Busoga College | Clapping | East African | ILAM | Jinja | School song | Soga | Uganda |
| Akemeri | |
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ILAM |
Akisuku Dance Song for Men. Further details refer ILAM field card number XYZ5416 |
Ekisa Saulo (Performer) |
1950-09-04 | Akisuku Dance Song | Central African | Clapping | East African | Ekisa Saulo | ILAM | Teso | Teso | Tororo | Uganda |