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Alternatively all "blue" words below are links to records which have been so tagged
| Title | Audio | Collection | Description |
Composer |
Date | All terms |
|---|---|---|---|---|---|---|
| "Mzeno" | Southern African |
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ILAM |
Movement from the Ngodo xylophone orchestral dance of Regulo Nyankowongo with fourteen xylophones, two rattles and one horn. Regulo Nyankowango is considered to be one of the minor chiefs under Regulo Mikumbi of the Inharrime District. Living as they do to the east of the central Chopi, their dialect is distinctive and influenced by the G'Tonga of the Inhambane District. |
1955-10-01 | Chopi | Chopi | Dance music | Hafu Kumbani | Horn | ILAM | Inharrime District | Mozambique | Ngodo | Orchestra | Portuguese East Africa | Rattle | Southern African | Timbila | Tonga | Xylophone | |
| "Chiriri" | Southern African |
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ILAM |
Movement from the Ngodo xylophone orchestral dance of Regulo Nyankowongo with fourteen xylophones, two rattles and one horn. Regulo Nyankowango is considered to be one of the minor chiefs under Regulo Mikumbi of the Inharrime District. Living as they do to the east of the central Chopi, their dialect is distinctive and influenced by the G'Tonga of the Inhambane District. Further details refer ILAM field card (H1K5) |
1955-10-01 | Chopi | Chopi | Dance music | Hafu Kumbani | Horn | ILAM | Inharrime | Mozambique | Ngodo | Orchestra | Portuguese East Africa | Rattle | Southern African | Timbila | Tonga | Xylophone | |
| Pongolo | Southern African |
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ILAM |
Movement from the Ngodo xylophone orchestral dance of Regulo Nyankowongo with fourteen xylophones, two rattles and one horn. Regulo Nyankowango is considered to be one of the minor chiefs under Regulo Mikumbi of the Inharrime District. Living as they do to the east of the central Chopi, their dialect is distinctive and influenced by the G'Tonga of the Inhambane District. |
1955-10-01 | Chopi | Chopi | Dance music | Hafu Kumbani | Horn | ILAM | Inharrime District | Mozambique | Ngodo | Orchestra | Portuguese East Africa | Rattle | Southern African | Timbila | Tonga | Xylophone | |
| Msitso Wokata | Southern African |
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ILAM |
Indigenous music. Further details refer ILAM record no 1323 |
Chopi Men and Women Dancers (Performer) |
0000-00-00 | Chopi | Chopi | Dance music | ILAM | Marimba | Mbango D | Mozambique | Orchestra | Portuguese East Africa | Southern African | Timbila | Xylophone |
| Mdano (3rd movement) | East African |
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ILAM |
Movement from Xylophone Orchestral Dance. Translated English title - "The call." Composer not specified. Further details refer ILAM record no. AC1253. |
Chopi musicians and dancers (Performer) |
1943-12-00 | Chopi | Chopi | Dance music | East African | ILAM | Marimba | Mozambique | Orchestra | Orchestral music | Portuguese East Africa | Southern African | Timbila | Xylophone |
| "Msitso wombidi" | Southern African |
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ILAM |
2nd orchestral introduction the Ngodo xylophone orchestral dance of Regulo Banguza, with fifteen xylophones and one rattle. This piece is an excellent example of an orchestral introduction by a master craftsman and composer, Komukomu Wa Simbe. It was composed in 1952. Further details refer ILAM field card (H1L10) |
Komukomu Wa Simbe (Composer) |
1955-10-03 | Chopi | Chopi | Dance music | ILAM | Komukomu | Mozambique | Ngodo | Orchestra | Portuguese East Africa | Rattle | Southern African | Timbila | Xylophone | Zavala District |
| Msitso wokata | Southern African |
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ILAM |
A movement from the Ngodo xylophone orchestral dance of Regulo Canda, with 10 to 19 xylophones and 1 or 2 rattles. Some of the best wood for making Timbila notes grows in the district of this Chief, Regulo Canda. His orchestra, perhaps as a direct result, has been noted for its tone quality. His district includes part of the sea coast and is covered with thick bush with many cashew nut trees. It will be noted that the spelling of the titles of the movements changes with the dialect of the district. In the west it is 'Wemiso', while further east it is 'Mwemiso'. Details from ILAM field card (H1O-9,6,7 -4) |
Teni Mapasi (Composer/Performer) |
1955-10-06 | Chopi | Chopi | ILAM | Maposi,Teni | Mozambique | orchestral dance | Portuguese East Africa | Southern African | Xylophone | Zavala |
| Msitso woraru (3rd orchestral introduction)(movement from the Ngodo of Regulo Banguza) | Southern African |
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ILAM |
Movement from the Ngodo orchestral dance with fourteen Timbila xylophones, one rattle and one gulu. Further details refer ILAM field card (H1L11) |
B.Mokumbi (Composer) |
1955-10-03 | Chopi | Chopi | Dance music | Gomukomu | Gulu | ILAM | Mokumbi,B. | Mozambique | Ngodo | Orchestra | Portuguese East Africa | Rattle | Southern African | Timbila | Xylophone | Zavala |
| Ngeniso movement (from Ngodo of Cabo Wukwane) | Southern African |
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ILAM |
Xylophone Orchestral Dance. Further details refer to ILAM card no H1K7 |
Chimele Zandamela (Composer) |
1955-10-01 | Chopi | Chopi | Dance music | ILAM | Inharrime | Mozambique | Ndonge | Orchestra | Rattle | Southern African | Xylophone | Zandamela,Chimele |
| Pongolo wawai kambe (msitso movement from the Ngodo of Cabo Wukane) | Southern African |
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ILAM |
Movement from the Ngodo orchestral dance with eight Timbila xylophones and a rattle. Further details refer ILAM field card (H1K12) |
Chimele Zandamela (Composer) |
1955-10-01 | Chopi | Chopi | Dance music | ILAM | Inharrime | Mozambique | Ndonge | Ngodo | Orchestra | Portuguese East Africa | Rattle | Southern African | Timbila | Xylophone | Zandamela,Chimele |